17th to 20th november 2011   |  Español
ESPACIOENTER


editions - - - - - International Meeting of Creativity Innovation & Digital Culture - - - - - contact

ESPACIOENTER_010

ART FUTURA

JAPAN MEDIA  ARTS
FESTIVAL  


ARS ELECTRONICA

MUNDOS DIGITALES

STREAMING MUSEUM
NEW YORK


GAME ON!

VIDEOGAMES

BA. ARGENTINA


CYBERBROTHERS
RUSSIA

DIGITAL LANDSCAPE
& Programme Curators
- CANADA / UK
- ARGENTINA / UK
- SPAIN
- INDIA

MIDEN


SLOW


ATTRACTION OPPOSITE


Made in CANARIAS. ULL

DIGITAL IMAGE
Videoart
Videodance
Shortfilm/Film/3D
Web Film  
Animation      
   

Art Science Innovation
Artificial Life
Software art
Transgenic art
Generative art
Bioart
Nanotechnology
Geospatial storytelling
Videogames
Robotic
Open Source
2D & 3D Animation
Net-art
Digital Communities
Social Networks
Blog, videoblog
Apps development
Mobil platforms   


time´s programme

sponsors

venue´s photos



event 2009

event 2010

 

 

INDIA / UK                             

Curator: Sabrina O.
www.sabrinaindia.com

Samvaad
(A Dialogue)


Samvaad screening aims to bring video works from young emerging artists from different parts of the world working†in UK.
I felt there was a need to share more & more international video art. So Samvaad is an endeavor to explore, investigate, create and find links and start a SAMVAAD –a dialogue with diverse practices & sensibilities of diaspora artists living in the state of flux in different parts of the world.
Ehsan Fardjadniya was born and brought up in Iran and has been living in Netherlands ,Deniz Sozen who is of Turkish origin works between Vienna ,Istanbul and London Guler Antes is also of Turkish origin and lives and works between London and Istanbul, Iva Kontic from Serbia,Sidsel Christensen from Norway ,Jihye Park from South Korea , Chinmoyi Patel & Sabrina Osborne from India.

They all have their own varied concerns :
Sidsel Christensen is interested in subjectivity between authentic & fictional constructs of self and possibility of imagination to transform the perceived reality of an individual which links emotive visions and the visual language of abstraction in art.††
Rachel Russell’s work deals with Performance as an act of labour : questioning the notion of identity through cultural and individual myths.

Rachel Garfield works with the role of narrative in the formation of subjectivity and in assumptions of the subject in relation to power, history and place, which particularly involves a sense of out- of –place ness: whether tension between public and private; personal and social or past and present.

Jihye Park is interested in the fantastical, the horrific and the paradoxical elements of fairy tales. . Her work explores the space between idealised love, banal love and tragic love. Park is fascinated with memories and notions of darkness. Harnessing visual elements of pastiche, she attempts to circumvent that which cannot be said with dialogue or plot, rather relying on an ambience of sadness, grief and nothingness. The grief experienced by Park’s character is motivated by the devastating death of her beloved father.

Chinmoyi Patel is interested in ascertaining a sense of her own reality through repetitive acts of play – adopting different personas, exploring fantastical spaces and make-believe in story telling, working with the notion of Henry Lefebvre’s ‘transfunctional’ play; as way of metabolizing reality or our experience of it.
Kate Pickering’s work contains the threat and embarrassment of sincerity, either disturbing or entrancing with the confident passion of a believer, thereby reflecting back the position of the viewer. The work pictures the artist as evangelical preacher.
Deniz Sozen’s surreal narrative allows present and past, the mosque and the cinema to exist simultaneously in diachronic confusion.

Constructs of juxtapositions struggle with notions of dislocation, relocation and isolation in Sabrina Osborne’s work, build the feeling of estrangement linked with memory, identity and loss.
Iva Kontic has weaved in her work the simple joy of the ability to remember, which might even go beyond one’s recent past events of political connotations.
An exploration into the bewildering experience of displacement lies at the heart of Guler’s work. She is engaged with the potential of pattern and motif within Islamic art.
Emma Hunt’s artistic practice is pointed towards an anthropological rationale, employing research methods such as observation, participation and documentation, examining the relationship between the subject and the object, with specific reference to the photographic gaze and its construction in social space, thus questioning the process of identity construction of individuals in an urban environment.

  22 Chronicles of My Favourite Pastime
Chinmoyi Patel
India

  My visit to Aziziye Mosque
Deniz Sozen
Austria/Switzerland

  Who is real -Santa
Ehsan Fardjadniya
Iran/Netherlands
  10second portraits
Emma Hunt-UK

  The Night Chased The Day Chased The Night
Guler Antes
Turky/UK

  There far away
Iva Kontic
Serbia

  The fathomless waters
Jihye Park
South Korea

  Untitled
Kate Pickering
UK

  Clown
Rachel Russell
UK

  You are joking, Aren’t you?
Rachel Garfield
UK
  You don’t know what you are missing
Sabrina Osborne
UK / India

 
About the Light Surface of Josephine Ditlev
Sidsel Christensen
Norway / UK